February 20, 2012, 11:18 am
Rejecting
Ritalin With the Power of Hindsight
In
The Art of Distraction on the Opinion Pages this
weekend, Hanif Kureishi — a successful playwright, screenwriter, filmmaker, novelist
and short-story writer — admits to being, as his title suggests, distracted.
His son, too, suffers (or doesn’t, as you’ll gather from reading the whole of
his piece) from a lack of focus — but, Mr. Kureishi argues, there is nothing
“wrong” with his son. Or with him. Distraction, he suggests, is a gift, and
focus overrated. From that point of view, he offers this indictment of Ritalin
and other drugs designed to help those who can’t find it:
Ritalin
and other forms of enforcement and psychological policing are the contemporary
equivalent of the old practice of tying up children’s hands in bed, so they
won’t touch their genitals. The parent stupefies the child for the parent’s
good. There is more to this than keeping out the interesting: there is the fantasy
and terror that someone here will become pleasure’s victim, disappearing into a
spiral of enjoyment from which he or she will not return.
It’s
hard to argue with someone as successful as Mr. Kureishi when he says he’s done
rather well without “focus,” and in a sense he’s offering a personal take on an
oft-made argument against treating mental differences with drugs: would you
wish that Mozart, Einstein or even van Gogh had been medicated into a more
standardized childhood? For Mr. Kureishi, and perhaps many others, “some
distractions are more than useful; they might be more like realizations and can
be as informative and multilayered as dreams. They might be where the
excitement is.”
But
even as Mr. Kureishi conveys his gratitude for his distracted life in elegant
prose, it has to be said that if he had sat down and applied his finest
concentration for weeks, he could scarcely have come up with a statement about
Ritalin more calculated to offend those who depend on it for themselves or
choose it for their children. Coming on the heels of “Ritalin Gone Wrong,” and the flurry that followed
it, Mr. Kureishi’s work could be said to add insult to injury. Can we find a
way to discuss a collective fear that we’re overmedicating a generation of
children without such polemics, or is it too late to frame the argument in a
less combative way?
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